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Atti del XIV Congresso della Società Internazionale di Musicologia : Trasmissione e recezione delle forme di culture musicale

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Información General

Autores: Angelo Pompilio (coord.)
Editores: Edizioni di Torino, E.D.T.
Año de publicación: 1990
País: España
Idioma: español
Recoge los contenidos presentados a: Societá Internazionale di Musicologia (14. 1987).
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Esta obra consta de los siguientes volúmenes

Vol. 1 . ISBN 88-7063-084-6
Vol. 2 . ISBN 88-7063-075-7
Vol. 3 . ISBN 88-7063-070-6

Listado de artículos

Vol. 1. 1990. ISBN 88-7063-084-6
- Il codice del mondo
  Umberto Eco
  págs. 1-12
- Rückschau auf die Rezeptionstheorie - Ad Usum Musicae Scientiae
  Han Robert JauB
  págs. 13-26
- L¿enseignement de la musique dans les universités médiévales
  Michel Huglo
  págs. 30-48
- Zur Pflege des Ars Musica an der Prager Universität im 14. und 15 Jahrhundert
  Ruzena Muzíkova
  págs. 38-48
- Music and Music Theory in the Universities of Central Europe during the Fifteenth Century
  Tom R. Ward
  págs. 49-57
- The University of Modena, the "Accademia dei Dissonanti", and the Academy Cantatas of Giovanni Battista Vitali: An Example of Cartesian Rationalism and Music
  John G. Suess
  págs. 58-66
- Zur Steellung der Musik im Schulsystem August Hermann Franckes
  Bernd Baselt
  págs. 67-82
- Der akademische Tanzmeister
  Walter Salmen
  págs. 83-88
- Repertoirefragen "peripherer" Mehrstimmigkeit: das Beispiel des Codex Engelberg 314
  Wulf Arlt
  págs. 97-125
- Song Collections in Late-Medieval Florence
  John Nádas
  págs. 126-137
- Manuscripts as Répertoires, Scribal Performance and the Performing Scribe
  Margaret Bent
  págs. 138-152
- Mehrstimmige Repertoires im 14. und 15. Jahrhundert: das Problem der verlorenen Quellen
  Martin Staehelin
  págs. 153-159
- Remarks on Some Trecento and Early Quattrocento Fragments
  Kurt von Fischer
  págs. 160-167
- Zur Frage der Entstehungs- und Verwandlungsprozesse der mehrtimmigen Repertoires in Böhmen
  Jaromír Cern
  págs. 168-174
- Polish Contributions to the Problem of Polyphonic Repertoires in the 14th and 15th Centuries
  Miroslaw Perz
  págs. 175-186
- Formal Instruction as Interface between Theory and Practice in Traditions of Jampan, Hawai¿i and the Philippines
  Ricardo D. Trimillos
  págs. 191-199
- "Theory" (English) and "Lehre" (German) versus "Téori" (Indonesian)
  Tilman Seebass
  págs. 200-211
- Reinterpretation of Tradition in Hindustani Music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande
  Harold S. Power
  págs. 212-213
- Performance as a Way of Knowing: Practical Theory and the Theory of Practice in Venda Traditional Music-Making, 1956-1966
  John Blacking
  págs. 214-220
- Theory or Concepts? Some Questions Raised by a Research on Somali Music
  Francesco Giannattasio
  págs. 221-227
- Antwerp¿s Role in the Reception and Dissemination of the Madrigal in the North
  Kristine K. Forney
  págs. 239-253
- Strategie editoriali delle stamperie veneziane tra il 1570 e il 1630
  Angelo Pompilio
  págs. 254-271
- Roman Cantata Scores as Traces of Musical Culture and Signs of its Place in Society
  Margaret Murata
  págs. 272-284
- Musica strumentale e politica editoriale: alcune linee di tendenza
  Paolo Fabbri
  págs. 285-287
- The Music Trade in Late Sixteenth-Century Florence
  Tim Carter
  págs. 288-294
- Girolamo Scotto and the Venetian Music Trade
  Jane A. Bernstein
  págs. 295-305
- The "Livre septième"
  Rudolf Rasch
  págs. 306-318
- Reponse: "Manuscripts and Printend Music in the World of Patrons and Collectors
  Mary S. Lewis
  págs. 319-325
- Est-il légitime d¿utiliser le concept de "musique" à propos des cultures de tradition orale?
  Jean-Jacques Nattiez
  págs. 342-349
- Die Senoi auf Malakka: Stabilität oraler Tradition in einer animistischen Gesellschaft
  Hans Oesch
  págs. 350-363
- Problems in Notating Music in Asia
  Gen¿ichi Tsuge
  págs. 364-368
- Concepts and Classifications of Instruments and Ensembles in Orally Transmitting Cultures, with Particular Reference to the Mandailing People
  Margaret J. Kartomi
  págs. 369-383
- Premessa alla periodizzazione (XIX secolo - prima guerra mondiale)
  Giovanni Morelli
  págs. 427-444
- Die Popularisierung musikadramatischer Gattungen in der Tanzmusik: Zu den Tanzzyklen Philippe Musards
  Herbert Schneider
  págs. 445-496
- Un sistema di consumo dell¿opera italiana nel primo Ottocento: il caso della farsa
  David Bryant
  págs. 497-503
- "Que ses geste parlants ont de grâce et de charmes": motivi "melo" nella "Muette dei Portici"
  Emilio Sala
  págs. 504-520
- The Repertory of the English Choral Society and the Dissemination of New Music, 1875-1914
  Elizabeth Roche
  págs. 521-529
- Fétis¿s "La Musique mise à la portée de tout le monde": Impetus and Impact
  Peter Anthony Bloom
  págs. 530-537
- Quelques remarques sur le fonctionanalisme de la musique et sur l¿idée de correspondance des arts dans la popularisation de la musique au XIXe siècle
  Irena Poniatowska
  págs. 538-550
- Ferdinand Hillers "Operette ohne Text"
  Marianne Soelzel
  págs. 551-567
- Popular Arrangements of the Music of Gustav Mahler
  Susan M. Filler
  págs. 568-592
- Le syncrétisme aujourd¿hui: mode, démagogie ou désesperance?
  Marie-Claire Le Moigne-Mussat
  págs. 605-610
- Musical Education as a Cross-Cultural Problem
  Mario Baroni
  págs. 611-615
- The Transformation of Folk into Popular Music Through Mass Dissemination
  Charles Hamm
  págs. 616-621
- Art Music, Folk Music and Popular Music: Ideological Equivalences to Musica Mundana, Humana and Instrumentalis?
  Jan Ling
  págs. 622-626
- The Domestication of Exoticism
  Jan Steszewski
  págs. 627-632
- Some Remarks on Aesthetic: Quality and its Communication
  Jan Maegaard
  págs. 649-653
- Analysis as Performance
  Arnold Whittall
  págs. 654-660
- Hemeneutics of Musical Composition: Theoretical and Practical Issues
  Krystyna Tarnawska-Kaczorowska
  págs. 661-667
- Zur Neueren Rezeptionsästhetik
  Reinhold Brikmann
  págs. 668-676
- Remarks from the Chair
  Joseph Kerman
  págs. 677-684
- Prolusione: Un caso di transmissione e recezione delle forme di cultura musicale: la musica di Verdi
  Pierluigi Petrobelli
  págs. 693-700
- Musikalische Dramaturgie
  Carl Dahlhaus
  págs. 701-705
- Meyerbeer, Wagner, and the Romeo and Juliet Syndrome
  Alexander L. Ringer
  págs. 706-713
- "Disposizioni sceniche" oder "Gesamtkunstwerk": Wagner, Verdi und die Grobe Oper
  Sigrid Wiesmann
  págs. 714-720
- Verdi come compositore nazionale ed europeo
  Sieghart Döhring
  págs. 721-726
- Grand opéra als historischers Drama und als private Tragödie: Meyerbeers "Le prophete" und Verdis "Don Carlos"
  Sieghart Döhring
  págs. 727-732
- Ecce, Musica pero musicologi
  Luciano Berio
  págs. 739-742
Vol. 2. 1990. ISBN 88-7063-075-7
- The latin concertato motet in the 17 th century
  Stephen Bonta, Graham Dixon
  págs. 3-6
- L¿opèra italien du dix-neuvoènme siécle a travers la presse contemporaine
  Leanne Langley, H. Robert Cohen, Marcello Conati, Imogen Fellinger, Cristhoper Mahling
  págs. 7-18
- Verdi in Paris: Reflections in L¿Illustration
  Robert Cohen
  págs. 9-10
- I periodici teatrali e musicali italiani a metá Ottocento
  Marcello Conati
  págs. 10-11
- Musik aus italienischen opern in europäischen musik-periodica aus der Zeit von 1800 bis 1830
  Imogen Fellinger
  págs. 11-12
- Italian opera and the english press, 1836-56
  Leanne Langley
  págs. 12-13
- Zur Beurteilung der italienischen oper in der deutchsprachigen presse zwischen 1815 und 1825
  Christoph Hellmung Mahling
  págs. 14-16
- Italian opera premiers and revivals in the hungarian press, 18640-1894
  Zoltan Roman
  págs. 16-17
- Nineteenth-century italian opera as seen in the contemporany russian press
  Gerald Seaman
  págs. 17-18
- Troubadour research and performing practice today
  Ismael Fernández de la Cuesta, Hendrik van der Werf, Elizabeth Aubrey, Falvy L. Zoltán, Robert Lug
  págs. 21-29
- Problems and projects in the study of regional: Variants in chant
  Hucke Helmuck
  págs. 30-32
- Databases and the practice of musicology computer-based approaches to musical data and musical analysis
  Eleanor Selfridge-Field, Laura Callegari, Walter B. Hewlett
  págs. 33-48
- Current state and lacunae of Breikopf research
  Barry S. Brook
  págs. 49-52
- The magnificant listings in the various bibliographic editions of the nonthematic Breitkoph Catalogues
  Robert M. Cammarota
  págs. 56-58
- Breikopf¿s relations with and Wolfrang Mozart
  Neal Zaslaw
  págs. 59-60
- Tradizioni periferiche della monodia liturgica mediovale in Italia
  Giulio Cattin, Christoph Stroux
  págs. 61-65
- La liturgia e il canto ambrosiano: prospettive di ricerca
  Bonifacio Giacomo Baroffio
  págs. 65-68
- Testi e melodi per la liturgia della capella si Santa Barbara in Montova
  Paola Besutti
  págs. 69-76
- Two unknown sources of Roman chant in the late middle ages: The manuscripts grey 6 b2 and the 6 b 4 odf the south Affrican Library, Cape Town
  Morné Pierre Bezuidenhout
  págs. 77-91
- The chant of norman Sicily: Interaction between the norman and italian traditions
  David Hiley
  págs. 92-105
- The Beneventan Chant
  Thomas Forrest Kelly
  págs. 106-109
- Il rito e il canto della Valle d¿ Aosta
  Emanuela Lagnier
  págs. 110-114
- Primo sondaggio sulle fonti liturgiche della Sardegna
  Giampaolo Mele
  págs. 114-119
- La tradizione liturgico- musicale di Aquileia
  Gilberto Pressacco
  págs. 119-129
- Caratteri peculiari del canto liturgico a Reggio Emilia?
  Cesarino Ruini
  págs. 130-149
- The role of translation in the transmission and reception of musical culture
  Claude V. Palisca
  págs. 150-154
- The translation of the euclidean "Division of the canon" into latin around 500 and 1500
  André Barbera
  págs. 154-155
- Boethius " De institutione musica " and the latin reception of greeek musical theory
  Calvin M. Bower
  págs. 155-157
- Rezecione del trattato di Polluece nelle traduzione dei teorici musicali del Rinascimiento
  Donatella Restani
  págs. 158-164
- Two sisteenth century italian translations of Boethius " De institutione musica"
  Claude V. Palisca
  págs. 165-166
- Zarlino¿s aproach to counterpoint modified and transmitted y seth calvisius
  Benito V. Rivera
  págs. 167-168
- The transference of ancient greek musicological treatrises from greek to latin
  Jon Solomon
  págs. 169-170
- Condizioni materiali e forme di transmissione del sapere musicale: il caso delle scuole di canto
  John Roselli
  págs. 172-173
- Condizzioni materiali e transmisione del sapere nelle scuole di canto a Bologna a metà Settecento
  Sergio Durante
  págs. 175-190
- L¿enseignement du chant italien en France de la fin de l Áncient Régime à la Restauration: transmission ou transformation ?
  Philippe Lescat
  págs. 191-197
- L`insegnamento del canto italiano in Francia dalla fine dell`Ancien Règimee alla Restaurazione: transmissione o transformazione ?
  Sylvie Mamy
  págs. 198-213
- Senza necesità del canto dell`autore Printed singing lessons in Seventeenth century Italy
  Ellen Rosand
  págs. 214-228
- Relazione di base
  Claudio Gallico
  págs. 229-231
- La frottola nelle rappresentazioni popolaresche coeve
  Francisco Luisi
  págs. 232-234
- Paris, Bibliothèque Nationale, rés. Vm.676 and music at Mantua
  William F. Prizer
  págs. 235-239
- Soffrir non son disposto ogni tormento
  Giuseppina La Face Bianconi, Antonio Rossi
  págs. 240-254
- History of the Sistine Chapel
  Jean Lionnet, Adalbert Roth, Helmut Hucke, Ludwig Finscher
  págs. 257-259
- Zur Auswertung der Registerserien im Archivio Segreto Vaticano und des Fondo Camerale I im Archivio di Stato di Roma
  Adalbert Roth
  págs. 259-266
- The relationship between a Vatoiican copy of the gloria of Josquin¿s Missa de Beata Virgine and Petrucci`s Print
  Richard Sherr
  págs. 266-271
- L`evolution du rèpertoire de la Chapelle Pontificade au cours du 17 ènne siècle
  Jean Lionnet
  págs. 272-281
- Cembali, e cembali che fanno il piano e il forte
  Eva Badura-Skoda
  págs. 282-283
- An early tangent Piano
  Stewart Pollens
  págs. 286-287
- Early Pianos without Dampers
  Laurence Libin
  págs. 287-288
- Were the early Italian Pianofortes Strung entirely wi th Brass?
  Alfons Huber
  págs. 289-290
- The piano in Spain prior to 1750
  Beryl Kenyon de Pascual
  págs. 291-292
- Queen María Bárbara `s Florentine Keyboard Instruments
  John- Henry van der Meer
  págs. 292-293
- Some remarks on the terminology problem
  Eva Badura-Skoda
  págs. 294-295
- Once more: Scipione Maffei and the Pianoforte
  Dieter Krickeberg
  págs. 295-296
- Das parodieproblem bei Händel
  Bernd Baselt, Hans Joachim Marx, George J. Buelow
  págs. 297-308
Vol. 3. 1990. ISBN 88-7063-070-6
- Musicology and Mass Media
  Ivan Martynov
  págs. 3-6
- The Spanish "Romances Viejos" and the Sephardic Romances: Musical Links across Five Centuries
  Susana Weich Shahak, Judith Etzion
  págs. 7-17
- On Early Reports about Turkish Music Culture in the Writings of Some Late- Renaissance Humanists
  Stanislav Tuksar
  págs. 17-26
- Musical Relations between Poland and Russia at the Beginning of the 17th Century
  Zbigniew Chaniecki
  págs. 27-32
- A Russian Prescription for Cantata and Oratotio from 1808
  Carol Bailey Hughes
  págs. 33-38
- Oratio Christianorum Occultorum in Japonia(16th Cent.)
  Tatsuo Minagawa
  págs. 39-44
- Überlieferung der europäischen Kunstmusik in Japan
  Ko Tanimura
  págs. 45-52
- Categorie binarie nella creazione e nella ricezione musicale
  Romeo Ghircoiasiu
  págs. 53-58
- La réception de la musique "savante" dans le monde des amateurs: les recueils de cistre au XVI siècle
  Hélène Charnassé
  págs. 59-68
- Riproduzione di moduli e melodie zampognare nella musica colta
  Alessandra Castriota
  págs. 69-74
- Die Notierungsform der Anlage schottischer Lieder und ibre Konsequenzen für Beethovens Bearbeitungen
  Petra Weber-Bockholdt
  págs. 75-88
- Motive der amerikanischen Indianer bei Ferruccio Busoni
  Albrecht Riethmüller
  págs. 89-98
- The Structural Role of Folk Elements in 20th- Century Art Music
  Malena Kuss
  págs. 99-122
- Courtly Patronage in the Fifteenth Century: Some Questions
  Allan W. Atlas
  págs. 123-130
- Guarini's Last Stage Work
  John Walter Hill
  págs. 131-154
- Southern Pull or Northern Push?: Motives for Migration in the Renaissance
  Christopher A. Reynolds
  págs. 155-162
- The Manuscript Basevi 2439 and Chanson Transmission in Italy
  Honey Meconi
  págs. 163-174
- When the "Style Antico" Was Young
  Anthony Newcomb
  págs. 175-182
- Musical Modes and Planetary Song, 1480- 1520
  Gary Tomlinson
  págs. 183-190
- "Con trombe e timpani". Zur Frage der Stilarten del Barockmusik in Mitteleuropa
  Richard Rybaric
  págs. 191-198
- Speculative and Practical Music in Seventeenth- Century England: Oxford University as a Case Study
  Penelope Gouk
  págs. 199-206
- Musiche strumentali di Corelli traverstite
  Emilia Zanetti
  págs. 207-214
- Zur Wort/Tom-Beziehung bei Händel
  Walther Siegmund-Schultze
  págs. 215-220
- Making Use of Handel: Charles Jennens (1700-73)
  Ruth Smith
  págs. 221-242
- Leopold II Transmitter of Musical Culture: Italian Music in Viena, 1790- 1792
  John A. Rice
  págs. 243-250
- Handel's "Agrippina": The Venetian Perspective
  Harris Sheridan Saunders
  págs. 251-262
- La Commedia per musica a Napoli nella prima metà del Settecento: una ricerca di base
  Francesco Degrada
  págs. 263-274
- "Bertoldo, Bertoldino e Cacasenno". Arie legitime, adottate, spurie e adulterine
  Anna Laura Bellina
  págs. 275-284
- "La morte di Semiramide ossia La vendetta di nino" and the Restoration of Death and Tragedy to the Italian Operatic Stage in the 1780s and 90s
  Marita P. McClymonds
  págs. 285-292
- Gli allestiementi scenici delle opere in musica composte da Mozart o viste da Mozart in Italia
  Mercedes Viale Ferrero
  págs. 293-306
- The Pantheon. Italian opera and Arson in Late 18th- Century London
  Curtis Price
  págs. 307-314
- Report on the Ricasoli Collection
  Robert Lamar Weaver
  págs. 315-330
- Auktoriale Aufführungstradition
  Hermann Danuser
  págs. 331-344
- What the Sourcerer Said or, Theories of Musical Narrative
  Carolyn Abbate
  págs. 345-360
- The Orchestral Interlude in "Wozzeck", III, 4/5: Berg's 'Homage' to Mahler and "Das Lied von der Erde"?
  Zoltan Roman
  págs. 361-368
- Webern and Trakl: Evolution of a Style
  Anne C. Shreffler
  págs. 369-380
- Heitor Villa- Lobos and the Problem of National Neoclassicism
  Eero Tarasti
  págs. 381-394
- Affetto e azione: Sulla teoria del melodramma italiano del"Ottocento
  Fabrizio Della Seta
  págs. 395-400
- "Gesunkenes Kulturgut" and Neapolitan Songs: Verdi, Donizetti, and "Das Lied von der Erde"?
  Marcelo Sorce Keller
  págs. 401-406
- "Simon Boccanegra".I.10-12: A Generic-Genetic Analysis of the Council Chamber Scene
  Harold S. Powers
  págs. 407-442
- How Verdi's Serious Operas End
  David Rosen
  págs. 443-450
- Il libretto patriottico nell"Italia della fine del secolo e la raffigurazziones dell"Antichità e del Rinascimento nel libretto prefascista italiano
  Jürgen Maehder
  págs. 451-466
- Mascagni e l'ipotesi del "dramma musicale cinematografico"
  Carlo Piccardi
  págs. 467-476
- Vocal Colour in 19th-Century Operatic Singing: A Pioneer Role for Caccini
  David Galliver
  págs. 477-484
- "Harmonia"and the "Modi, quos abusive tonos dicimus"
  Charles M. Atkinson
  págs. 485-500
- The two Carolingian Archetypes of Gregorian Chant
  Kenneth Levy
  págs. 501-504
- The Transmission of Music and Liturgy from Saint-Denis to Saint-Corneille of Compiègne
  Anne Walters Roberstson
  págs. 505-514
- Hymns and Poems at Mass in Eleventh-Century Southern Italy (Other than Sequences)
  John Boe
  págs. 515-542
- The Northern and Central Italian Trope Repertoire and Its Transmission
  James M. Borders
  págs. 543-554
- Historical Data about the "Glagolitic Chant" in the Area of Istria (Croatia)
  Gorana Doliner
  págs. 555-558
- The Celebration of the "Recollectio Festorum Beatae Mariae Virginis", 1457-1987
  Barbara Helen Haggh
  págs. 559-574
- Le Musiche "pastorali" e le novene per il natale in Italia. Prologo
  Roberto Leydi
  págs. 575-578
- Immagini e suoni di pastori e zampogne
  Nico Staiti
  págs. 579-602
- I "suoni pastorali" nella musica colta tra Seicento e Novecento
  Nicoletta Guidobaldi, Virgilio Bernardoni
  págs. 603-628
- The Transmission of Notre Dame Organa in SOme Newly-Discovered "Magnus liber organi" Fragments in Copenhagen
  John Bergsagel
  págs. 629-636
- Zur mehrstimmigen Sequenz des 13, und 14. Jahrunderts in Frankreich
  Cristina Hospenthal
  págs. 637-646
- Les refrains onomatipéïques en ancien francais comme indicateurs de techniques instrumentales
  Chantal Phan
  págs. 647-652
- English Music Theory in Respect to the Dating of Polyphonic Repertoires in England, 1320- 1399
  Peter M. Lefferts
  págs. 653-658
- The Stablishment and Transmission of Polyphonic Repertoires in England, 1320-1399
  William John Summers
  págs. 659-672
- Die melodische Floskel im Liedsatz des 14.Jahrhunderts: Magister Franciscus'Ballade "Phiton"
  Christian Berger
  págs. 673-680
- Early Keyboard Tablatures and Medieval Dance Theory
  John Anthony Caldwell
  págs. 681-688
- Music and Musicians at the Sainte-Chapelle of the Bourges Palace, 1405-1515
  Paula Higgins
  págs. 689-702
- Musical Patronage of the Bentivoglio Signoria, c.1465-1512
  Susan Forscher Weiss
  págs. 703-716
- Tradition and Modernity in the Mystery Play of Elche (Alicante, Spain)
  Maria Carmen Gómez
  págs. 717-722
- Zwischen Tradition und Novität: Konzept und Repertoire der Königlichen Rorantitenkapelle an der Kathedrale zu Kraków
  Elzbieta Zwolinska
  págs. 723-728
- Music and the Sieese Cathedral in the Later 16th Century
  Frank A. D'Accone
  págs. 729-736
- Music Against Heresy: Ferrara in the Epoch of Renée of France
  George Nugent
  págs. 737-744
- Rinascimento fiorentino e cultura 'instrumentalis': le "collectiones" medicee tra committenza destinazione e pregio artistico
  Piero Gargiulo
  págs. 745-752
- G.B.Viotti und das Strichquartett des apäten 18. Jahrunderts
  Klaus Fischer
  págs. 753-768
- The Reception of Viennese Classicism in Early 19th-Century Portugal
  Manuel Carlos de Brito
  págs. 769-774
- Understanding Genre: A Reinterpretation of the Early Piano Nocturne
  Jeffrey Kalberg
  págs. 775-780
- Semantische Zeichen in Schuberts Instrumentalmusik
  Walther Dürr
  págs. 781-792
- Zu Robert Schumanns Kompositionsstudien
  Matthias Wendt
  págs. 793-804
- Liszt's Reputation: the Role of Rezeptionsästhetik
  Michael Saffle
  págs. 805-810
- The "Kecke Beserl" and Brucker's Symphonic Tradition
  Stephen Parkany
  págs. 811-820
- Rameau und Italien: Zur italienischen Musiktheorie in der zweiten Hälfte des 18th.Jahrhunderts
  Renate Groth
  págs. 821-826
- Les tendances des réécriture de Rameau dans "Les surprises de l'ameur"(1748,1757-59)
  Sylvie Bouissou
  págs. 827-838
- Patriotism at the Opéra-Comique during the Revolution: Gréty's "Callias, uo nature et patrie"
  M. Elizabeth C. Bartlet
  págs. 839-852
- The Dramaturgy of "Grand Opéra": Some Origins
  David Charlton
  págs. 853-858
- Grand Opéra auf kleiner Bühne
  Marta Ottlová
  págs. 859-868
- Filippo, Stefano e Martha: NewFindings on Chamber Music al the Imperial Court in the Second Half of the 16th Century
  Robert Lindell
  págs. 869-876
- On the Origins of the North- Italian "Madrigale Spirituale"
  David Nutter
  págs. 877-890
- Roman Confraternities and Their Oratories, 1550-1600
  Noel O'Regan
  págs. 891-898
- The Musical Prints of Angelo and Alessandro Gardano
  Richard J. Agee
  págs. 899-904
- Claudio Saracini: Innovative or Incompetent?
  Peter G. Laki
  págs. 905-914
- Vita musicale e committenza nei conservatori napoletani del Seicento: Il S.Onofrio e i Poveri di Gesù Cristo
  Raffaele Pozzi
  págs. 915-924

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