págs. 21-26
Prince: Harmonic Analysis of 'Anna Stesia'
págs. 58-70
Analysing Popular Music: theory, Method, and Practice
págs. 71-103
Popular Music Analysis and Musicology: Bridging the Gap
págs. 104-121
págs. 122-140
'Maybellene': Meaning and the Listening Subject
págs. 141-160
His Name was in Lights: Chuck Berry¿s 'Johnny B. Goode'
págs. 165-182
págs. 183-191
págs. 192-202
págs. 203-228
págs. 235-261
'The Hieroglypgics of Love': The Torch Singers and Interpretation
págs. 262-296
págs. 297-306
'Everybody's: Age, the Body, and Experience in the Music of Hank Williams
págs. 307-328
Postcolonialism on the Make: The Music of John Melencamp, Divid Bowie, and John Zorn
págs. 329-346
págs. 347-378
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