págs. 1-35
págs. 37-68
págs. 69-96
Oswaldo Bot and Libya: An Ethnographer of the Futurist Self?
págs. 97-118
págs. 119-140
Lively Objects and Dreary Humans: Amadeo de Souza-Cardoso’s ‘Animism’ and Early Futurism
págs. 141-176
págs. 177-200
págs. 201-226
The Barbarogenius: A Balkan Modern Primitive
págs. 227-256
On La Création du monde by the Ballets Suédois: Myths of the Past for a New Future
págs. 257-284
Anthropophagi and Cannibals: Reconsidering the Links between Futurism andModernism in Brazil
págs. 285-318
The seeds of futurism in Peru: From “Sincere Little Lies” to Indigenist Concepts
págs. 319-354
Matteo D’Ambrosio: An Obituary
págs. 357-373
Futurist Dance, 1910s to 1930s: Fact or Fiction?
págs. 375-386
págs. 387-394
págs. 395-422
Futurism in Progress: A One-day Symposium at the Estorick Collection ofModern Italian Art
págs. 423-438
págs. 439-444
Futurism and War: A Conference Panel at EAM9 in Krakow, 17 September 2024
págs. 445-456
págs. 457-487
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