This interdisciplinary volume aims at illustrating the presence of ancient myths and ideas in 20th and 21st century culture. Ten case studies which deal with a wide range of different genres such as theatre productions, pop music, and photography, are framed by two theoretical essays.
Has Classical Antiquity Ever Ended?: Reception, Memory, and Cultural Evolution
págs. 3-9
págs. 13-30
Soviet Argonauts: Sailing to the Coasts of Colchis in Soviet Film
págs. 31-48
págs. 49-60
The Resistance of Memory, the Memory of Resistance: Stories of Italian Partisans through the Lens of the Aeneid
págs. 63-74
Savage Memory, Technologies of Necropower, Feminist Decolonial Resistance: A Palestinian Antigone in Ireland
págs. 75-94
Epic Remembrances: Contesting the Gender of Memory in Kae Tempest’s Brand New Ancients and Tessa Hadley’s ‘Dido’s Lament’
págs. 95-111
Reconstructing Memory from Ruins: The Athenian Academy by Theophil Hansen as a Modern ‘Lieu de Mémoire’
págs. 115-152
págs. 153-170
From Winckelmann to Flickr: The Picture that Took Greece’s Soul
págs. 171-190
There’s a Town in Sicily Where Greek Heroes Go to Die: The ‘Tomb of Minos’ at the Gurfa Caves and Alia’s Need for a Mythical Past
págs. 191-214
págs. 217-228
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