Información General

• Autores: Antoine Gaudin (coord.), David Roche (coord.)
• Editores: Edinburgh University Press
• Año de publicación: 2025
• Colecciones: Music and the Moving Image
• País: Reino Unido
• Idioma: inglés
• ISBN: 9781399544870, 9781399544887, 9781399544894
• Texto completo no disponible (Saber más ...)

Resumen

• This books brings together two expanding fields in contemporary film studies: soundtrack studies and studies of cinematic space. It takes stock of the interest in the craft and theory of sound space and soundscapes in artistic and academic circles by exploring the construction of sound space in a specific medium—film—from a variety of perspectives: artistic, technical, aesthetic and discursive. Building on seminal works in sound studies and film studies, it examines both the sonic characteristics of space and the spatial dimensions of sound. It explores the sound of places or setting but considers, more broadly, the experience of cinematic space in aural and visual terms. It follows contemporary trends in film history and production studies that value the craft and discourses of sound technicians and draws on contemporary theoretical frameworks that emphasize the corporeality of experience and/or consider the environment from an ecocritical perspective as alive with sounds.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction Sound and Space in Film

    Antoine Gaudin, David Roche

    págs. 1-30

    

  • Part 1: Revisiting Classical Sound Spaces

    • Reverberation and Cinematic Representation: Debates among the Technicians During the Transition to Sound

      James Buhler

      págs. 33-55

      

    • Kay Rose’s Spatial Sound Design and Soundscapes for The River (1984)

      Helen Hanson

      págs. 56-72

      

    • Sound Space: Spatial Events and Material Affects

      Serge Cardinal

      págs. 73-88

      

  • Part 2: Creating Sound Spaces

    • Mise-en-sonore: Placemaking in Film and Audiovisual Media Artwork

      Budhaditya Chattopadhyay

      págs. 91-107

      

    • The Contradictory Functions of Offscreen Sound in In Vanda’s Room (Pedro Costa, 2000)

      Amanda Robles

      págs. 108-123

      

    • Sounds from the Space of the Film Set to the Space of the Auditorium: The Uses of Mixdown in Contemporary French Cinema

      Camille Pierre

      págs. 124-142

      

  • Part 3: Negotiating Space Through the Senses

    • Michelangelo Antonioni’s Soundscapes and the Relation between Humans and the Environment

      Sylvie Dubois

      págs. 145-162

      

    • Raindrops Keep Falling on the Screen: Resonance in Sensory Disability Cinema, following the Path of Jean-Luc Nancy

      Marie Martin

      págs. 163-179

      

    • In the Kitchen: The Poetics and Geopolitics of Sound Gestures in Contemporary Indian, Chinese and Hong Kong Cinemas

      Teresa Faucon

      págs. 180-196

      

  • Part 4: The Ecopoetics and Ecopolitics of Sound Space

    • Binding the British Nation Together through Sound in Official Documentaries of the Second World War

      Anita Jorge

      págs. 199-218

      

    • Toward an Ecopoetics of Silence in Cinema: Walking in the Woods to Experience the World Differently

      Louis Daubresse

      págs. 219-238

      

    • Narrative Ecology and the Politics of Ambient Sounds in Drift (Helena Wittmann, 2017)

      Jade de Cock de Rameyen

      págs. 239-254