Información General

• Autores: Costanza Beltrami (coord.), Sylvia Alvares Correa (coord.)
• Editores: Brill
• Año de publicación: 2024
• Colecciones: Art and Material Culture in Medieval and Renaissance Europe,, 24
• País: Reino Unido
• Idioma: inglés
• ISBN: 978-90-04-54716-2, 978-90-04-70747-4
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Beltrami, Costanza / Alvares-Correa, Sylvia (eds.): Art, Travel, and Exchange between Iberia and Global Geographies, c. 1400-1550. Leiden: Brill, 2024, 448 pp., 96 ilus. [ISBN: 978-90-04-54716-2]

    Josu Mendaza Riaño

    Archivo español de arte, ISSN-e 1988-8511, ISSN 0004-0428, Tomo 99, Nº 392, 2026

Resumen

• “The volume succeeds in its aim to transcend narratives confined to formalistic analysis. It does so by repositioning art historical inquiry within a broader global framework – prompting a reassessment of the discipline’s methods and a re-evaluation of its questions – that reflects Iberia’s role in the Early Modern world.” Caterina Fioravanti in The Burlington Magazine 168:1476 (March 2026), pp. 283–284) ‘The editorial organization of the volume is another of its strengths. The chapters are thoughtfully grouped, and complementary essays work together to paint a complex portrait of artistic movement into and out of the Iberian world. Costanza Beltrami and Sylvia Alvares-Correa’s Introduction is excellent, bringing these diffuse studies together into a coherent whole. This volume is immediately accessible to scholars unfamiliar with scholarship on late-medieval Iberia, with succinct interrogations of many pressing historiographic concepts such as composite monarchies, polycentrism, and shifting definitions of Iberia. As one would hope in a book about art and exchange, the volume is beautifully illustrated and includes maps, and other images that help the reader to better understand the entangled geographies under discussion.”

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Travelling Artists

    • Rethinking Artistic Mobilities in the Iberian World

      Costanza Beltrami, Sylvia Alvares Correa

      págs. 1-49

      

    • Recomposing and Reframing the Northern European Influence in Aragonese Painting, c.1400: The Unsettled Case of Marçal de Sas

      Encarna Montero Tortajada

      págs. 53-81

      

    • ‘In the Spanish Fashion’: Iberian Artists Travelling in Italy, 1400–1550

      Piers Baker Bates

      págs. 82-107

      

  • Material Culture on the Move

    • Travelling Stonemasons and the Architectural Cultural Exchange between Spain, Mexico, and Peru in the 16th Century: Connections and Paths of the Toribio de Alcaraz Family

      Marco Silvestri

      págs. 108-142

      

    • Portable Passion: The Adaptation of Martin Schongauer’s Engraved Inventions in Aragon and Castile

      Nelleke de Vries

      págs. 145-177

      

    • Travelling Images: Illustrations in the First Printed Story on Troy

      María Sanz Julián

      págs. 178-196

      

    • Travelling Models in the Iberian Marian Atlas: Pathos and Consensus between the Flemish Mediterranean Networks and the Viceroyalty of New Spain

      Maria Vittoria Spissu

      págs. 197-242

      

    • Lavish Tableware Consumption in Portugal and Early Imports of Ming Porcelain, 1499–1557

      Luís Urbano Afonso

      págs. 243-267

      

    • The Azulejo as a Poetic of Ornament: Dissemination, Adaptation, and Fusion of Models in Iberian Compositions (16th Century)

      Céline Ventura Teixeira

      págs. 268-302

      

  • Beyond Movement

    • All Saints Hospital in Lisbon: Artistic Exchanges in the Context of Hospital Architecture during the Renaissance

      Joana Balsa de Pinho

      págs. 305-338

      

    • Travelling Artists and Local Elites in the Caribbean: Architecture in Santo Domingo in the Early 16th Century

      Elena Paulino Montero

      págs. 339-356

      

    • The Itinerancy of Jan van Eyck’s Models: (Re-)Creating Images of Power in Late Medieval Catalonia and Beyond

      Eva March

      págs. 357-383

      

    • Travelling Masterpieces from Flanders to Portugal: Jorge Afonso’s Portuguese ‘Copy’ of Quentin Metsys’s Apparition of the Angel to Saints Clare, Agnes, and Colette

      Vanessa Antunes, António Candeias, Sara Valadas, Ana Cardoso, Mª J. Chica, Alexandra Lauw, Marta Manso, Fernando A. B. Pereira, Maria Luísa Carvalho

      págs. 384-404

      

    • A Composite Female Saint from Juan de Flandes’s Altarpiece for the University Chapel in Salamanca

      Bart Fransen, Steven Saverwyns, Armelle Weitz

      págs. 405-426