El desarrollo de la imagen digital ha transformado profundamente la documentación y el estudio del patrimonio cultural. La imagen multibanda (MBI), basada en cámaras digitales modificadas, permite registrar objetos bajo radiación ultravioleta, visible e infrarroja cercana. Estas técnicas hacen visibles fenómenos imperceptibles a simple vista, como capas ocultas, materiales o alteraciones previas.
La MBI se aplica a una amplia variedad de bienes culturales, desde pinturas y esculturas hasta manuscritos, textiles y materiales arqueológicos. Su potencial se manifiesta al integrar distintas modalidades de imagen en un marco metodológico común.
Lejos de sustituir otros métodos de examen, la MBI los complementa y enriquece. La disponibilidad de sensores de silicio ha impulsado decisivamente su expansión en contextos profesionales. Este volumen proporciona un marco conceptual y operativo que conecta fundamentos técnicos con la práctica conservadora.
The development of digital imaging has profoundly transformed the documentation and study of cultural heritage. Multiband imaging (MBI), based on modified digital cameras, makes it possible to record objects under ultraviolet, visible, and near-infrared radiation. These techniques reveal phenomena imperceptible to the naked eye, such as hidden layers, materials, or previous alterations.
MBI is applied to a wide range of cultural heritage objects, from paintings and sculptures to manuscripts, textiles, and archaeological materials. Its full potential emerges when different imaging modalities are integrated within a common methodological framework.
Far from replacing other examination methods, MBI complements and enriches them. The availability of silicon sensors has played a decisive role in its expansion in professional contexts. This volume provides a conceptual and operational framework that links technical foundations with conservation practice.
págs. 15-60
págs. 61-88
Multiband images in the heritage field: Past and present
págs. 89-138
págs. 139-198
Considerations for setting up technical imaging with modified uv-vis-ir rgb cameras: Tools and equipment
págs. 199-239
Integrating multiband and multi-lightreflectance imaging to explore heritage artefacts
Hendrik Hameeuw, Bruno Vandermeulen, Lieve Watteeuw, Athena Van der Perre, Vincent Vanweddingen, Marc Proesmans
págs. 243-264
págs. 265-286
The codex quetzalecatzin: The evolution of itscreation revealed through multiband imaging
págs. 287-310
Supporting museum conservation through multiband photogrammetry: A case study of the uprising of the mujeres mural
págs. 311-330
Multiband ir reflectance and luminescence imaging: Seeing in ir to studyhand-coloured photographs
págs. 331-360
A technical art history view: Using reflectedinfrared photography (ir), transmitted infrared photography (irt), and x-ray imaging (xr) to enhance the understanding of superimposed paintings
María Antonia Argelich Gutiérrez, Marc Borrás, Irene Samaniego Jiménez, Mariona Navarro, Jésica Martí Egea
págs. 361-384
Invisible miracles: Study with multiband imaging techniques of Nuestra Señora de Guanajuato
Montserrat Gómez, Sonia De León Romero, Ramón Avendaño Esquivel, Gerardo Hernández Rosales
págs. 385-408
Multiband imaging techniques as a tool for the documentation of photographic artifacts
Alejandra Nieto Villena, Álvaro Solbes García, Susana Herreras Sala, Lucía Rojo Iranzo, María Luisa Vázquez de Ágredos-Pascual
págs. 409-434
Álvaro Solbes García, María Luisa Vázquez de Ágredos-Pascual, Lucía Rojo Iranzo, Alejandra Nieto Villena, Susana Herreras Sala, María Andrieux Nuno
págs. 435-460
Introduction of multiband technical imaging inthe study of viceregal paintings: Scenarios andcase studies of their application in Peru
págs. 461-482
Exploring the possibilities of false color infrared transmission imaging
Marta Raich Creus, Paola Artoni, Paolo Bertelli, Isidro Puig Sanchis, Miguel Ángel Herrero Cortell
págs. 483-512
Standardization of multiband radiation for conservation documentation: Validation phase for a multichannel led prototype fixture createdat the metropolitan museum of art (MET MCLED)
William Scott Geffert, E. Keats Webb, Marina Ruiz Molina, Dawn Kriss, Kisook Suh
págs. 513-542
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