Performing Diplomacy: in the Early Modern World
Información General
- Editores: Wien: Hollitzer Verlag
- Año de publicación: 2025
- País: Austria
- Idioma: inglés
- ISBN: 978-3-99094-145-4
- Texto completo no disponible (Saber más ...)
Otros catálogos
Listado de artículos
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The Drama of Tapestries: A Theatrical History of Early Modern Diplomacy
págs. 3-62
Blackboxing Diplomacy: On Mimesis, Ghosts and the Extraterritoriality of Sovereignty in Early Modern Drama
págs. 63-80
The Sage on the Stage: The Image of the Perfect Ambassador in Diplomatic Manuals and Opera Libretti in Early Modern Europe
págs. 81-100
págs. 101-112
Staging the Marriage and Coronation of Emperor Frederick III Habsburg and Eleonora of Avis (Rome, 1452): A Survey of the Portuguese Sources
págs. 115-128
The Display of Otherness. Two Polish-Lithuanian Diplomats on Their Missions to the Mediterranean World: Rome and Madrid (1627–1647)
págs. 129-148
págs. 149-176
‘The Queens Carpet’: Religious Performance and the Fight for Diplomatic Precedence in Early Eighteenth-century Rome
págs. 177-192
“Una basilica diventata teatro”: Santa Maria in Aracoeli and the Political Ambitions of José Maria de Fonseca of Évora in Eighteenth-century Rome
págs. 193-210
Spectacles to Forging Common Identity: The Myth of Troy and the Franco-Venetian-Hungarian Alliance (1502)
págs. 213-224
págs. 225-240
L’Effimero barocco: da metafora del potere a sperimentazione dell’artista. Alcuni esempi genovesi fra sei e settecento
págs. 241-276
Ceremonial Entries as Political Performance: The Duke of Angoulême’s Embassy to the Holy Roman Empire (1620–1621)
págs. 279-298
From the Shores of Ragusa to the Eastern Crossroads of the Habsburgs: The Paradigm of the Cleric-agent Allegretto Allegretti
págs. 299-330
págs. 331-366
An Imperial Diplomat at the Beginning of His Career: Dominik Andreas Count of Kaunitz during the 1680s and the Early 1690s
págs. 367-400
págs. 403-422
págs. 423-450
The Performance of Diplomacy through the Contemporary Texts: The Extraordinary Embassy of the Duke of Feria to Paris in 1610
págs. 453-466
págs. 467-490
págs. 491-504
“Sono fastiditi per non saper più trovar nuove invenzioni di farsi”: Masquerades and Diplomatic Performance at the Court of François I
págs. 507-530
The Ambassadors’ Fireworks Parties: Public and Private Performance in Bourbon Paris
págs. 531-564
Performing Posthumous Homage to the Ambassador: Two “Oraisons Funèbres” to Abel Servien (1659)
págs. 565-576
«Magnificenza è figlia di sovruman costume»: L’ambasciatore cesareo Johann Wenzel von Gallas, patrocinatore della serenata Sacrificio a Venere di Giovanni Bononcini (Roma, 1714)
págs. 579-608
The Habsburg Succession Addressed on the Operatic Stage: The Court Operas Teofane (Dresden 1719), Adelaide (Munich 1722) and Costanza e Fortezza (Prague 1723)
págs. 609-630
The Power of Music and the Performance of Portuguese Diplomacy: Roman Festivities in Honour of Infante Alexandre’s Birth (1724) under the Patronage of André de Melo e Castro
págs. 631-660
