Ha sido reseñado en:
Daniel Brown (res.)
CiberLetras: revista de crítica literaria y de cultura, ISSN-e 1523-1720, Nº. 45, 2021, págs. 71-77
Journal of Spanish Cultural Studies, ISSN 1463-6204, ISSN-e 1469-9818, Vol. 22, Nº. 3, 2021, págs. 421-423
Written by the foremost specialists in the field of contemporary Spanish letters, the essays in Imagined Truths provide an analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism.
Imagined Truths provides a twenty-first-century analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism. Bringing together the work of the foremost specialists in the field of contemporary Spanish letters, this collection offers new approaches to literary and cultural criticism and reveals how Spanish realism, far from imitative of other European movements, engaged in complex and modern concepts of representation and mimesis.
Imagined Truths acknowledges the critical importance of women writers and contemporary approaches to questions of gender. The essays address the impact of economics on our perceptions of reality and our constructions of everyday life, and they argue for the importance of emotions in the social construction of individual identity. Most importantly, the essays acknowledge the post-imperial turn in literary studies.
Addressing a broad range of authors, works, and topics, including the continued relevance of Cervantes’s Don Quijote and the way Spanish realism moved beyond narrative to inhabit the spaces of both theatre and film, Imagined Truths comprises a series of meditations on new ways of understanding the unique place of realism in Spanish cultural history. Offering insights for specialists in a wide range of disciplines – literature, cultural studies, gender studies, history, philosophy – this collection is equally important for readers just becoming acquainted with realist narrative as a central component of Spanish literary history.
Arabella’s veil: translating realism in "Don Quijote con faldas" (1808)
págs. 39-57
Between "costumbrista" sketch and short story: Armando Palacio Valdés’s "Aguas fuertes"
págs. 58-79
Money, capital, monstrosity: metaphorical matrices of realism in Antonio Flores’s "Ayer, hoy y mañana"
págs. 80-108
págs. 111-143
págs. 144-168
Urban hyperrealism: Galdós’s Dickensian descriptions of Madrid
págs. 169-190
Observed versus imaginative communities: creative realism in Galdós’s "Misericordia"
págs. 191-212
Colonialism, collages, and thick description: Pardo Bazán and the rhetoric of detail
págs. 215-235
Embodied minds: critical erotic decisions in "La Regenta"
págs. 236-258
págs. 259-284
Writing (un)clear code: the letters and fiction of Emilia Pardo Bazán and Benito Pérez Galdós
págs. 287-312
"Volvía Galdós triunfante": "Fortunata y Jacinta" on stage (1930)
págs. 313-342
When reality is too harsh to bear: role-play in Juan Marsé’s “Historia de detectives”
págs. 343-368
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