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Starting from a political reality, which is, at the same time, artistic and cultural, the book Ars Hasburgica aims to review the still so common historiographical conception of the Renaissance that conceives this period from a geographically Italocentric, artistically classicist and politically centered the idea of "national" arts and schools.
But Renaissance is a more global and complex phenomenon. What this book aims to offer is an idea of the art of that period that considers the role played by the Habsburg dynasty and its various courts in this period, trying to verify whether, by applying other historiographic models, and having the art of the Casa de Austria as a focus, traditional ideas can continue to be maintained well into the twenty-first century. We refer to the so-called "Vasari paradigm", on which art history of the sixteenth century has largely been built over the last centuries. It is also intended to structure concepts about the art of the period not so much around nationalist considerations and identities of the arts, but to raise these issues throughout ideas such as that of the court as a political, artistic and cultural sphere, in the wake of the classical studies by Norbert Elias, Amedeo Quondam or Carlo Ossola.
Habsburg Politics and Cultures in the Sixteenth Century: the Cosmopolitan Iberian Experience of Empires and Kingdoms
Rethinking Vasari: Art and Arts in the Sixteenth Century
The Antithesis between the Vasarian Canon and the Habsburg Model of the Arts: Defining National Identity in the Italian Risorgimento
Food as a Strategy of Power: the Political Role of Banquets in Prince Philips’s Felicísimo Viaje (1548-1551)
Habsburg Mars: The House of Austria and the Artistic Representation of Land Warfare
The Habsburgs and Emblematic Literature: a Historiographical Assessment
Books and Libraries in the Construction of the Habsburg Dynasty’s Image during the Sixteenth Century
Epic and Truth: Writing for the Habsburgs in Sixteenth-Century Spain
His Polis: The Habsburg Naval Epic in the Mediterranean
126 págs.
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