págs. 7-28
págs. 29-42
Imitation, Inspiration or Innovation?: Juan de Flandes and the Use of Models from Illuminated Manuscripts
págs. 43-58
Spanish Fortunes of a Flemish 'Ecce Homo': On the Bouts Family's Originals, Workshop Replicas, Flemish Copies, and Hispanic Imitations
págs. 59-74
Jan Gossaert's Deesis: Copying Can Eyck's Ghent Altarpiece
págs. 75-88
Michiel Coxcie's Copies for the Spanish Court: A Technical Comparison between the Copy of the Van Eycks' Ghent Altarpiece and the Copy of Rogier van der Weyden's Descent from the Cross
Laura Alba Carcelén, Lorne Campbell, Hèléne Dubois, José Juan Pérez Preciado
págs. 89-100
Mastering Divine Faces: Titian's Sacred Images of Christ and the Virgin for Charles V
págs. 101-112
págs. 113-134
págs. 135-148
págs. 149-160
'It copies the Crucifixion from Alsemberg': On the Influence of Coxcie on the Calvary of Hendrick de Clerck for the Church of Sanint-Josse-ten-Noodle in Brussels
págs. 161-172
págs. 173-186
The Reflection of 'Flandes' in the Spanish Royal Collections: Copies after Rubens in the Patrimonio Nacional
págs. 187-204
'It is a copy after Rubens or Van Dyck': Copiying Flemish Paintings in Granada
págs. 205-232
págs. 233-242
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