Polychrome art in the early modern world: 1200-1800
Información General
- Autores: Ilenia Colón Mendoza (ed. lit.), Lisandra Estevez (coord.)
- Editores: Taylor & Francis Group, Routledge, Taylor & Francis Group
- Año de publicación: 2025
- Colecciones: Visual Culture in Early Modernity
- País: Reino Unido
- Idioma: inglés
- ISBN: 9781003010005, 9780367436353
- Texto completo no disponible (Saber más ...)
Otros catálogos
Listado de artículos
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PART 1: Pigments, Color, and the Paragone
"The Color to Imitate a Man": On the Meaning of Flesh Tones on Panel Paintings from Antiquity to the High Middle Ages
págs. 11-25
The Colors of the Virgin: Romanesque Polychrome Wood Sculptures in Italy and a Question about Azurite
págs. 26-37
Naming Blue Pigments and Colors in Medieval Catalonia: The Case of Lluís Borrassà
págs. 38-54
Spanish Polychromed Sculpture in the Low Countries: A Journey through Art History and Techniques
págs. 55-66
Pacheco's Art of Painting: The Parangón and the Techniques of Spanish Seventeenth-Century Polychrome Sculpture
págs. 67-81
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PART 2: Sculptures in Context
Statue Painting in Colonial Andes: 'Indian' Virgins and Resacralization of the Religious Landscape
págs. 85-102
Worms Cannot Eat Stone: The Pugliese Presepe an the Materiality of Devotion in Early Modern Puglia
págs. 102-114
págs. 115-126
Patrons, Sculptors, and Painters in Eighteenth-Century Spain: Polychroming Duque Cornejo's Sculptures
págs. 127-141
More than Wood: Sculpture and Blasphemy in Seventeenth-Century New Spain
págs. 142-153
The Retablos of Mani: The Convergence of Maya and Spanish Art
págs. 154-167
Artists, Techniques, and Sacred Materials: Revisiting the Case of Christ of Ixmiquilpan
págs. 168-185
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