Dialogues between past, present and future: introduction
págs. 9-15
From past to future: the postmodem city in literature and cinema
págs. 19-34
The role of the celebrity author in the marketplace of culture: the case of Bret Easton Ellis
págs. 35-45
Tracking the truth: memory, history, and the imaginationin Margaret Atwood's "Alias Grace" (1996)
págs. 47-67
págs. 69-80
Signs of memory, signs of writing: Nabokov's narrative integration of self, language and world
págs. 81-93
págs. 97-104
A very wide circle of friends: multiple discourses and hackneyedimages in Pat O'Connor's "Circle of Friends" (1995)
págs. 105-112
págs. 113-120
The memory of desire in Manju Kapur's "Difficult Daughters"(1998): In past and future tense
págs. 121-130
págs. 133-144
págs. 145-160
págs. 161-171
Televisualising the 1950s: appropriation and anachronism in recent Hollywood comedy
págs. 175-185
Back to the Present: reworking the conventions of the teenpic in "Clueless" (1995)
págs. 187-195
David Cronenberg and the utopian imperative: a political reading of "Shivers" (1974)
págs. 197-210
From the 1980s until now: the persistence of slasher movies
págs. 211-219
"When the notebook ran out of pages": Postmodemism and the metaphysical detective story
págs. 221-230
Transcendence for the masses: the Virtual Divine Project
págs. 233-243
What time is it?: new temporal regimes in science-fiction cinema
págs. 245-251
An apocalypse of total communication: utopian and dystopian perspectives in "Star Maker" (1937) and "The Matrix" (1999)
págs. 253-268
págs. 269-280
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