Información General

• Autores: Anik Sarkar (coord.), Jayjit Sarkar (coord.)
• Editores: Liverpool University Press
• Año de publicación: 2024
• País: Reino Unido
• Idioma: inglés
• ISBN: 9781837644872, 9781835533376, 9781837645138
• Texto completo no disponible (Saber más ...)

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul

    Anik Sarkar, Jayjit Sarkar

    págs. 1-24

    

  • Time

    • Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul

      Patrícia Sequeira Brás

      págs. 27-46

      

    • Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul’s Syndromes and a Century and Cemetery of Splendour

      Francesco Quario

      págs. 47-66

      

  • Nonhuman

    • Stray Dogs and Strange Beasts: Apichatpong Weerasethakul’s Queer Animal Ethics

      Duncan Caillard

      págs. 69-88

      

    • Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul

      Çağatay Emre Doğan

      págs. 89-112

      

  • Mind

    • The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul’s Primitive Project

      Elizabeth Sikes

      págs. 115-132

      

    • Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul’s Films and Videos

      Alessandro Ferraro

      págs. 133-154

      

    • EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul

      Jeffner Allen

      págs. 155-178

      

  • Forms and Representations

    • Transmedia Plot in Apichatpong Weerasethakul’s Primitive

      Jade de Cock de Rameyen

      págs. 181-206

      

    • Home Away From Home: Apichatpong Weerasethakul’s Filmed Images of Home and Homeland Envisioned

      Palita Chunsaengchan

      págs. 207-228

      

    • Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul

      Sivaranjini Sivaranjini

      págs. 229-248

      

    • Post-Interstitial Authorship in Apichatpong Weerasethakul’s Cinema

      Anchalee Chaiworaporn

      págs. 249-276