Trauma in Contemporary Literatureanalyzes contemporary narrative texts in English in the light of trauma theory, including essays by scholars of different countries who approach trauma from a variety of perspectives. The book analyzes and applies the most relevant concepts and themes discussed in trauma theory, such as the relationship between individual and collective trauma, historical trauma, absence vs. loss, the roles of perpetrator and victim, dissociation, nachträglichkeit, transgenerational trauma, the process of acting out and working through, introjection and incorporation, mourning and melancholia, the phantom and the crypt, postmemory and multidirectional memory, shame and the affects, and the power of resilience to overcome trauma. Significantly, the essays not only focus on the phenomenon of trauma and its diverse manifestations but, above all, consider the elements that challenge the aporias of trauma, the traps of stasis and repetition, in order to reach beyond the confines of the traumatic condition and explore the possibilities of survival, healing and recovery.
Trauma and Literary Representation: An Introduction
págs. 1-13
After the End: Psychoanalysis in the Ashes of History
págs. 17-34
Apocalypses Now: Collective Trauma, Globalisation and the New Gothic Sublime
págs. 35-50
Not Now, Not Yet: Polytemporality and Fictions of the Iraq War
págs. 51-70
The Turn to the Self and History in Eva Figes' Autobiographical Works: The Healing of the Old Wounds?
págs. 73-87
History, Dreams, and Shards: On Starting Over in Jenny Diski's
págs. 88-99
Plight versus Right: Trauma and the Process of Recovering and Moving beyond the Past in Zoë Wicomb's Playing in the Light
págs. 100-115
Seeing It Twice: Trauma and Resilience in the Narrative of Janette Turner Hospital
págs. 116-133
The Burden of the Old Country's History on the Psyche of Dominican-American Migrants: Junot Díaz's The Brief Wondrous Life of Oscar Wao
págs. 134-147
págs. 151-162
"Time to Write the Off"?: Impossible Voices and the Problem of Representing Trauma in The Virgin Suicides
págs. 163-177
Fugal Repetition and the Re-enactments of Trauma: Holocaust Representation in Paul Celan's "Deathfugue" and Cynthia Ozick's The Shawl
págs. 178-193
Of Ramps and Selections: The Persistence of Trauma in Julian Barnes' A History of the World in 10 ½ Chapters
págs. 194-206
págs. 207-222
"There's that curtain come down": The Burden of Shame in Sarah Waters' The Night Watch
págs. 223-236
"Welcome to contemporary trauma culture": Foreshadowing, Sideshadowing and Trauma in Ian McEwan's Saturday
págs. 237-247
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