Magical realism has deep roots across many African languages and regions. This book explores African magical realism from a transregional and inclusive approach, drawing on contributions from different literary genres across the continent.
The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‑Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique.
This book is a timely contribution to debates within African literature, cultural anthropology, ethnography, and folklore.
págs. 1-8
págs. 9-34
Narrating the War and Its Aftermath: Perceptions of Liminality in Mia Couto's Terra Sonâmbula and José Eduardo Agualusa's Barroco Tropical
págs. 35-55
Behind the Magical Veil: Interrogating Cameroon's Politics and History in Bole Butake's Lake God
págs. 56-77
Magical Realism in Modern Swahili Literature
Mikhail Gromov
págs. 78-97
Female Plight and Magical Realism: A Study of Rebeka Njau's The Sacred Seed and Okwiri Oduor's Things They Lost
págs. 98-118
págs. 119-139
African Magical Realism Goes Visual: Two Short Films from African Folktales Reimagined (Netflix-UNESCO, 2023)
págs. 140-155
The Return of the Repressed: Magical Realism in Salwa Bakr's The Golden Chariot and Ibrahim Al-Koni's The Bleeding of the Stone
págs. 156-178
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