Per il Maestro della cappella Gallieri e il primo Quattrocento in Piemonte

• Autores: Stefano Manavella
• Localización: Paragone. Parte arte, ISSN 1120-4737, Nº 178, 2024, págs. 3-29
• Idioma: italiano
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• Resumen

  • An early fifteenth-century panel in the Capitoline Picture Gallery in Rome, formerly in the Sterbini collection and previously attributed to a Marchigian or Catalonian painter, is by the same hand as a mural cycle in the Gallieri Chapel in the Collegiate church at Chieri (Province of Turin). No without ties to the Turinese painter Giacomo Jaquerio, the Master of the Gallieri Chapel also shows Lombard features, echoes of fourteenth-century Piedmontese and French art, and clear connections with Ligurian culture, partly by way of Asti. Clear parallels exist with the Master of Incisa Scapaccino (probably Andrea de Aste), whose contact with Milan is posited here. Links between Chieri and Liguria are reflected in both Guglielmetto Fantini, perhaps a pupil of the author of the panel in Rome (who may have been Fantini's uncle Giovanni), and the Master of the Gallieri Chapel, who had ties with the painting of Liguria and the Monregale area. The article attributes frescoes in Pecetto, near Chieri, to Monregalese painters