Resumen de Una hibridació i una relectura dialèctica medieval de Jofre de Foixà

Robert March Tortajada, Julia Haba Osca

• If the stories of the mediaeval past have survived and have taken written form, it is not bychance. The world we are witnessing, which is that of the common languages, is different and, at thesame time, shared. However, our attention goes beyond the current maps and borders. In fact, we arethinking of the identities that have emerged from the aesthetic relationships that have been conjuga-ted, to the extent that a singularity has formed part - and not only in the Middle Ages. Hence, not onlynowadays, but also in terms of the desire to communicate a specific message. As for instance, in Jofrede Foixà’s case, author of songs and a key figure for understanding the context of the end of the 13thcentury and the beginning of the 14th century in the Crown of Aragon, beyond being a grammaticalpreceptor. The interest in studying this mediaeval author can help us understand more clearly what is aliterary canon and what is not.