[1]
Covilhã (Conceição), Portugal
This chapter is part of transdisciplinary research that promotes the broader dissemination of architectural heritage and development of the architecture practice that encompasses part of the importance of looking back to the History of Architecture and the stimulation of perspective and peripheral vision to reflected on the current needs. Instead of using architectural arguments based on a classic and conservative approach, we focused our research (strongly supported by cultural and conceptual analysis) on the essential architectural elements to the practice of architectural design and our individual work as thinkers. In this sense, it is considered to be creative. We must look to architects, artists, and philosophers whose work bears witness to the sense of recognition for their role. So this is why we based this article on a manifesto communication about the sensorial experience need that assembled questions and individual specificities, innovations, thoughts, and criticism. Any innovation is not achieved in isolation with the past, but when in itself, it is a continuum. In architecture and art, the same thing happens. The essential existential qualities of the work are unavoidable. Great works echo the past. Only then do they assume the density and depth that goes against the superficial novelty.These facts were determinant motivators for new insight for new evolutionary processes. They have been and must continue to be.
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