Resumen de Canticum canticorum, de la interpetación literal y espiritual de Fray Luis de León a la traducción pictórica de Tomás Luis de Victoria
- español
El Cantar de los Cantares suscitó un gran interés artístico durante la Contrarreforma en España, tras el Concilio de Trento. Las interpretaciones literal y spiritual Fray Luis de León (1527-1591) –que le acarrearon prisión entre 1572 y 1576– representan su voluntad de explicar el texto salomónico, mientras que la obra musical de Tomás Luis de Victoria (1548?-1611) contiene también numerosas alusiones, donde se observa una intensa fusión de distintas ramas artísticas. De este modo, las imágenes explicadas por Fray Luis encuentran su réplica en distintos motetes de Victoria, hasta cinco, entre 1572 y 1583, punto de encuentro entre texto, sonido e imagen. @font-face {font-family:SimSun; panose-1:2 1 6 0 3 1 1 1 1 1; mso-font-alt:宋体; mso-font-charset:134; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 680460288 22 0 262145 0;}@font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face {font-family:"Lucida Sans"; panose-1:2 11 6 2 3 5 4 2 2 4; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:"\@SimSun"; panose-1:2 1 6 0 3 1 1 1 1 1; mso-font-charset:134; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 680460288 22 0 262145 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; mso-pagination:none; mso-hyphenate:none; text-autospace:ideograph-other; font-size:12.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:SimSun; mso-bidi-font-family:"Lucida Sans"; mso-font-kerning:1.5pt; mso-fareast-language:ZH-CN; mso-bidi-language:HI;}p.Standard, li.Standard, div.Standard {mso-style-name:Standard; mso-style-unhide:no; mso-style-parent:""; margin:0cm; mso-pagination:none; mso-hyphenate:none; text-autospace:ideograph-other; font-size:12.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:SimSun; mso-bidi-font-family:"Lucida Sans"; mso-font-kerning:1.5pt; mso-fareast-language:ZH-CN; mso-bidi-language:HI;}.MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-fareast-font-family:SimSun; mso-bidi-font-family:"Lucida Sans"; mso-font-kerning:1.5pt; mso-fareast-language:ZH-CN; mso-bidi-language:HI;}.MsoPapDefault {mso-style-type:export-only; mso-pagination:none; mso-hyphenate:none; text-autospace:ideograph-other;}div.WordSection1 {page:WordSection1;}
- English
Song of Songs aroused great artistic interest during the Counter-Reformation in Spain, after the Council of Trent. The literal and spiritual interpretations Fray Luis de León (1527-1591) –who carried him prison between 1572 and 1576– represents his will to explain the Solomonic text, while the musical work of Tomás Luis de Victoria (1548? -1611) contains also diverse allusions, where an intense fusion of different artistic branches is observed. In this way, the images explained by Fray Luis find their replica in different motets of Victoria, up to five, between 1572 and 1583, a meeting point between text, sound and image.
