Poet Sarah Clancy and cultural analyst Cornelia Gräbner explore themes that lie at the heart of contemporary poetry as an emancipatory, positioned form of speech; specifically, poems written by Sarah Clancy from within Ireland’s anti-austerity movement, as part of the campaign to legalize abortion and from a positioning within constellations of transatlantic solidarity. Clancy and Gräbner explore the contestatory and propositional traction of poems that are created and spoken from within social movements and campaigns, often as a contribution to community-building; and poems that intentionally take the listener / reader out of their comfort zone, so as to expose and counter acquiescence to the status quo. In both cases, poetry-as-speech acts as a counterforce to the silent and silencing affects of consolation and of shame.
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