Maurizio Ferraris, crítico de Kant

• Ernesto Castro ^[1]
  1. [1] Universidad Autónoma de Madrid

     Universidad Autónoma de Madrid

     Madrid, España

     
• Localización: Revista Anales, ISSN-e 2737-6370, Nº. 62, 2023, págs. 19-34
• Idioma: español
• Títulos paralelos:
  • Maurizio Ferraris, Kant’s critic
• Enlaces
  • Texto completo
• Resumen
  • español

    En la última década, Maurizio Ferraris se ha convertido en uno de los principales nuevos realistas. En esteartículo analizamos tres grandes libros del giro realista de Ferraris: Estética racional, El mundo externo yDocumentalidad, exponiendo en cada caso tanto sus puntos fuertes como sus limitaciones. Como veremos,una de las grandes limitaciones de la ontología que desarrolla Ferraris en esta última obra es la distinciónentre los objetos y los sujetos, un dualismo ontológico que genera muchos problemas a la hora de clasicara los animales. Los animales, como declara el propio Ferraris en la cita que abre este artículo, han sido unade las inspiraciones que le animaron a abandonar la hermenéutica y el pensamiento débil y a abandonarla deconstrucción. Por ese motivo, la ambigüedad de Documentalidad sobre la condición de los animales noes una cuestión marginal, sino un problema central que amenaza con derrumbar todo el edicio del nuevorealismo.

  • English

    In the last decade, Maurizio Ferraris has beIn the last decade, Maurizio Ferraris has become the leading new realist. In this article we analyze Ferraris’three major books in his realist turn: Rational Aesthetics, The Outside World and Documentality; in each casewe will consider Ferraris’ insights and limitations. As we will see, one o the greatest limitations o the on-tology Ferrari develops in this last book is the distinction between objects and subjects, an ontological dua-lism which generates a lot of problems when trying to classify the animals. The animals, as Ferraris himselfdeclares in the quotation which starts this article, have been one of the inspirations of his realist turn. Thisis why the ambiguity of Documentality regarding the animal condition is not a marginal issue, but a centralproblem which endangers the whole new realist project.come the leading new realist. In this article we analyze Ferraris’three major books in his realist turn: Rational Aesthetics, The Outside World and Documentality; in each casewe will consider Ferraris’ insights and limitations. As we will see, one o the greatest limitations o the on-tology Ferrari develops in this last book is the distinction between objects and subjects, an ontological dua-lism which generates a lot of problems when trying to classify the animals. The animals, as Ferraris himselfdeclares in the quotation which starts this article, have been one of the inspirations of his realist turn. Thisis why the ambiguity of Documentality regarding the animal condition is not a marginal issue, but a centralproblem which endangers the whole new realist project.