Resumen de The Amateur Astronomer as Image Producer: Disciplinary Norms and Deviations
This article approaches the history of amateur astronomers in the late nineteenth century via visual and material sources. It adopts three separate viewpoints: Jules Pierrot Deseilligny’s home-based workshop, two self-portraits of amateurs at work, and a corpus of selenographic images published in the Bulletin de la Société Astronomique de France. These sources throw light on amateur savant practices, which are largely based on producing images, sometimes taking the form of a structured scholarly project, and giving rise to exchanges, debates, and sociabilities. It identifies a proliferation during the years 1880 to 1914, characterised by a particular sensitivity to the extraterrestrial life feeding a powerful desire to observe the surface of the moon.
