Inclined in its beginnings to openly absorb any cultural reference, artistic discipline or expressive resource that came within it reach, cinema narrative is currently facing an irreversible crisis which calls into account its very nature as a medium and which foreshadows the dissolution of its uniqueness as the vehicle par excellence of contemporary story-telling.
The following text, a modest approach to this problem, attempts to establish what are, what have been and what will be the keys to this intermedia odyssey, pointing out trends, rebutting commonplaces and proposing future objects of debate.
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