The present article will treat a particular type of literary relations, more specifically the transgressive approach to the validated scene. Borrowing this pragmatic concept from the work of Dominique Mainguneau, we will focus on the diversity of such transgressive approaches. In this respect, we will analyze a series of examples of overtly transgressive “scenographies”, such as Rousseau’s Confessions, but we will likewise study more consensual positioning, because it is often the case that behind a more or less adamant declaration of conformity to an already validated scene, one might find surprising innovations that fundamentally question initial attitude.
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