The article analyses a manuscript sequence of spiritual poems by Gabriele Fiamma (1533-1585). The sequence is contained in the manuscript N.A. 5 of the Ariostea Library in Ferrara, and is composed by an opening sonnet, and five canzoni written following Petrarchan metrical schemes. Considering the thematic structure of the texts and the organization of the sequence - especially in its relation with the probably later publication of Fiamma’s Rime spirituali (1570) - it is conjectured that the selection and the arrangement of the texts could trace back to the author. In the last part the article makes some considerations on the oppositional rhetorical structure in Fiamma’s poetics.
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