The article examines the construction of the canzoni contained in the Amorum libri tres and analyses specifically how the line of argumentation is articulated and relates to the often highly refined and experimental metrical structures prepared by Boiardo. The study proceeds by dwelling on some exemplary texts of the main strategies deployed by the poet, always trying to assess their peculiarities, also in relation to their placement within the narrative path outlined by the collection.
© 2001-2026 Fundación Dialnet · Todos los derechos reservados