Documentário e memória afetiva: análise da obra “O samba que mora em mim”

• Autores: Maria Angela Pavan, Maria do Socorro Furtado Veloso
• Localización: Avanca / Cinema 2012 / Cine Clube de Avanca (dir.), 2012, ISBN 978-989-96858-2-6, págs. 875-880
• Idioma: varios idiomas
• Texto completo no disponible (Saber más ...)
• Resumen

  • What kind of sounds and images live in us starting from the places where we live or where we experienced ourfirst sensations? Who in Brazil ever listened to samba inside or outside home? Who ever followed the carnaval intelevision, or ever saw magazines and newspapers with the parade pictures? What is alive inside of each personwhen we hear the words “samba”, “carnaval” and “Morro da Mangueira”? Based on these questions, this articleintents to understand the affectionate look of the Brazilian filmmaker Geórgia Guerra-Peixe. We can see that look inher documentary called O samba que mora em mim, winner of the jury special award of the São Paulo Film Festival(Mostra de Cinema de São Paulo), in 2010. When the filmmaker went to Morro da Mangueira, in Rio de Janeiro,her intention was to show the poetic perception that lives in her imaginary from the stories that her father used totell her, named Fernando Guerra-Peixe.For the study execution, we interviewed Geórgia, we collected informationspublished on press in the documentary release period, on february 2011, and we proceed to a film analysis. Werealized that the construction process of the images followed the filmmaker reflective look. She offers us, based onthis reflection, a document that justifies the use of the first-person in the narrative construction – such a valuableresource on contemporaneity. Even though partially, this article intents to talk about which way the memories andthe affection leads us by time/space, from the constructed images throughout our lives.