O Ecrã: a operatividade da moldura e a sua diluição no campo da imagem em movimento

• Autores: Maria Mire
• Localización: Avanca / Cinema 2012 / Cine Clube de Avanca (dir.), 2012, ISBN 978-989-96858-2-6, págs. 262-271
• Idioma: portugués
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• Resumen

  • The screen, infiltrated in the territory of contemporary artistic practices, presents itself as a device equipped with anoperability, not only capable of organizing the obscured space where the projected image faces it, but also of beinginstalled so as to capture the spectator’s attention by its luminous strength, or even by presenting itself as a fullyinteractive and penetrable surface through the action of the observer’s body. Converted into receiver, transmitterand interface, the screen has been, not only a field of continuous change, but it has also kept reformulating thepropositions requested to the viewer himself. This research is meant to be a contribution to the study of the hybridareas where different visual schemes crossover, both operating it as a frame, acting as a window to another space,or placing it within the immersive experience, susceptible to the blurring of its outlines.