“Un certain moment, un certain endroit”: ensaio sobre o som na obra de Éric Rohmer

• Autores: Marina Takami
• Localización: Avanca / Cinema 2012 / Cine Clube de Avanca (dir.), 2012, ISBN 978-989-96858-2-6, págs. 396-400
• Idioma: portugués
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• Resumen

  • The juxtaposition of different art forms is evident in the production of french filmmaker Éric Rohmer. In 1955 hepublished in the journal Cahiers du Cinéma a controversial series of articles called Le Celluloïd et le Marbre.They talk about the place of cinema among other arts, an idea that marked his reflective thinking. He gets back tothese ideas in 1965 and 2009, exploring it with different perspectives. Rohmer’s production is characterized by thepresence of other arts and also by the need for authenticity. The director insisted that his films were representative ofa particular place and time. In this sense the study of the sound in Rohmer’s work is proposed as an important ele-ment of reality. The filmmaker prioritized the use of direct sound in his films. He was openly against soundtrack itselfpreferring the “noises of the world” as film music. In his movies the sound is often subtle, economic, but it plays animportant role in Rohmer’s creative process. It’s considered as sound elements: voice, music and noise. This studydiscusses the construction of sound space in Rohmer’s cinema based on his own statements, declarations from thetechnicians who collaborated with him, critical writing and others studies.