Resumen de Cinema expandido e Artes Visuais
This article invokes the notion of the classic film or cinematic device or the film and the concept of expanded cinemathat relies on open formations using cinematic forms that develop themselves as sequential images unrolled inthe time as a frame or not. They may be presented as sets of motion images by means of any type of configuration,placed in different kind of spaces, both public and not. Both investigatethe space and place situated in relationwith the notions of concrete and abstract spaces of Jacques Aumont, in their turns derived from Pierre Francastel,and they allow us to draw an analysis field of fictional autonomous areas, or contaminated ones, that surround thevarious cinematic devices,from the stand point of its relation to space and time, since the images are updated viewson electronic screens viewed through the array of the time.Lies an area of convergence approach between cinemawith the Visual Arts in which the cinematic formations present themselves less as fiction narratives than visualaesthetic facts. A moving body participates of the cinematic circumstances by apprehending the image in relationwith the scale of this situated body in a determined situs and/or coordinated fields where abstract and topologicalspaces begin to blur.
