Winged Narratives: Exploring the Symbolism of Angels in Álvaro Siza’s Graphic Works
-
Antonio Amado Lorenzo [1] ; Carmen Escoda Pastor [2] ; Federico Arévalo Rodríguez [3] ; Léia Miotto Bruscato [4]
-
[1] Universidade da Coruña
Universidade da Coruña
A Coruña, España
-
[2] Universitat Politècnica de Catalunya
Universitat Politècnica de Catalunya
Barcelona, España
-
[3] Universidad de Sevilla
Universidad de Sevilla
Sevilla, España
-
[4] Universidade Federal do Rio Grande do Sul
Universidade Federal do Rio Grande do Sul
Brasil
-
- Localización: Graphic horizons, Vol. 3, 2024 (Graphics for Knowledge / Luis Hermida González (ed. lit.), Joao Pedro Xavier (ed. lit.), María Inés Pernas Alonso (ed. lit.), Carlos Losada-Pérez (ed. lit.)), ISBN 978-3-031-57579-2, págs. 289-298
- Idioma: inglés
- Texto completo no disponible (Saber más ...)
-
Resumen
Álvaro Siza consistently incorporates a distinctive iconography into the drawings of his architectural projects. Notably, depictions of individuals, including Siza himself or his hands, stand out among these sketches. Moreover, enigmatic and recurrent angels frequently make appearances in the preliminary drawings of his projects, seemingly hovering from above and attentively observing the inception of his architectural creations. This presentation delves into the exploration of the origin and significance of these ethereal beings. The focus has been directed towards illustrative drawings embodying this theme, particularly within two projects that the architect regards as pivotal in his career: the Church of Marco de Canaveses and the housing complex in Quinta da Malagueira, Évora. To unravel this narrative, a thorough analysis has been conducted, incorporating the architect’s testimonials, his written reflections, and interpretations from various authors. Additionally, connections to classical drawing and painting have been established. The narrative navigates through the intricate relationship between this iconography and a myriad of conscious or subconscious influences, such as childhood religious memories, ironic allegories of life, mythological imagery, and contemplations on the intersection of architecture with the surrounding landscape. Collectively, these elements converge to shape a distinct and unmistakable poetic, graphic, and personal tool within Siza’s artistic repertoire. This is a preview of subscription content, log in via an in
