El compromiso de las formas estéticas: Política y honestidad en la obra teatral de Lola Arias

• Eugenia Argañaraz ^[1]
  1. [1] CIS-IDES, CONICET-UNTREF, Argentina
• Localización: Mujeres migrantes y reescrituras autobiográficas / María Luisa Di Martino (ed. lit.), 2024, ISBN 978-88-6969-831-6, págs. 97-115
• Idioma: español
• Enlaces
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• Resumen

  • I will focus on the aesthetic forms implemented in three plays (2016) by the Argentinean playwright and director Lola Arias. I observe the existence of crossings that refuse to be labelled, as well as images linked to an autobiographical memory where the political is positioned to rediscover a new aesthetic commitment. The children develop a work with memory in terms of Elizabeth Jelin. I identify theatrical narratives that construct links in which transmedial memory together with literary discourse are taken as necessary tools for the sons to enunciate themselves in the present.