Resumen de Representación y realidad: El objeto arqueológico en la era de reproducibilidad digital

Joshua D. Englehardt, Michael D. Carrasco

• The purpose of this paper is to present some evidence of how Digital Art and Design are being transformed and their structures and thinking processes are being reconfigured, and face the dizzying technological advance. The methodological structure of the present work, in the first place, proposes some epistemological considerations on the way in which art and the digital design are modifying its own practices of production of objects. Secondly, it reviews how a reorganization of skills in the production of works of art and design arises due of how the collaborative work is presented as a response to the new dynamics of creative work.

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