L’esthétique de l’indicible et de la réticence dans les récitstestimoniaux de l’après-guerre européen: les «paroles suffoquées»

• Joanna Teklik ^[1]
  1. [1] Université Adam Mickiewicz, Poznań
• Localización: Au croisement des cultures, des discours et des langues. Cent ans d'études romanes à l'Université de Varsovie (1919-2019) / Wieslaw Kroker (dir.), Judyta Zbierska-Moscicka (dir.), Vol. 1, 2021 (Études Littéraires), ISBN 978-83-235-5262-8, págs. 157-166
• Idioma: francés
• Títulos paralelos:
  • The Aesthetics of unspeakable and of reluctance in testimonial accounts of the European post-war period: smothered Words
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• Resumen

  • The survivors of the concentration camps are often heavily working on their words to transcribe the trauma they have lived. As a matter of fact, the complete reconstruction of the events and dramas appears to be impossible ; it is a reason why the texts are full of digressions, breakings, a lot of disruptions revealing in background the truth upon the human nature. Taking up again their own experience, witnesses such as Robert Antelme, Jean Cayrol, Charlotte Delbo, Imre Kertész, Primo Levi, Jorge Semprun or Elie Wiesel give a new interpretation of it and split it up. In the same time, they are twice affected by this breaking, through the testimony of their text. The short and scattered form, disrupted in its expression is destined for expressing the quest of the sense appearing in Europe at the end of the Second World War, in a time, as never before, where the human being is in search of strong moral references. The rhetorical ‘reticence’ is a manner toreflect the present world as it appears : split up, wounded in the inner deepness of itself.