The paper discusses the question of the mediatic visibility of Marcel Proust, which is inspired by the Thierry Laget’s biographical essay devoted to controversies around The Prix Goncourt for In the Shadow of Young Girls in Flower in December 1919. In opposition to the myth of Proust’s mediatic invisibility, created by the French Nouvelle Critique and its interpretation of Proust’s Contre Sainte-Beuve, the author shows the nature and importance of the mediaticimage of this writer for his understanding of the autofictional narrative and the biographical discourse concerning Proust.
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