Les Amérindiennes de Jacques Ferron et la mythopoïesis identitaire

• Petr Kyloušek ^[1]
  1. [1] Université Masaryk de Brno
• Localización: Au croisement des cultures, des discours et des langues. Cent ans d'études romanes à l'Université de Varsovie (1919-2019) / Wieslaw Kroker (dir.), Judyta Zbierska-Moscicka (dir.), Vol. 1, 2021 (Études Littéraires), ISBN 978-83-235-5262-8, págs. 63-70
• Idioma: francés
• Títulos paralelos:
  • The Amerindians of Jacques Ferron and identity mythopoiesis
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• Resumen

  • Jacques Ferron is the author of an «interdiscursive» work that takes advantage of the inclusive capacity of the aesthetic function to involve in his texts a program corresponding to the integrative phase of identity modeling (according to Bouchard). It is in this context that we should consider the mythopoietic attempt to realize a cultural mixing presented not only as a synthesis of French Canadianity with different aspects of Anglophone Americanity, but also as an integration of the Amerindian and Métis heritage in different works. The novel Le Ciel de Québec (1969) may be interpreted as a mythopoietic construction integrating Ancient Greek, Christian and Native American elements. The major example is the myth of Orpheus and the analogous Wendat myth recorded by Jesuit missionaries in their Relations, both associated with the Christian imaginary of the Resurrection.