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Estreno de La gran sultana: teatro de lo otro, amor y humor

  • Autores: Susana Hernández Araico
  • Localización: Cervantes: Bulletin of the Cervantes Society of America, ISSN-e 0277-6995, Vol. 14, Nº. 2, 1994, págs. 155-166
  • Idioma: inglés
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  • Resumen
    • By means of a series of asymmetrical framing devices, the theatrical text of La gran sultana decenters the nationalist discourse of captivity and generates a conjunction of opposing values with regard to culture, religion, and sex. The dislocation of the cultural perspective and the concomitant substitution of moral authority manages to produce a comic effect without descending to the burlesque, through the deft use of the historical background and the linguistic-visual frame of admiratio. The première of the Cervantine text in 1992 very appropriately celebrates an opening towards the Other in a time of lamentable cultural polarizations


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