The aechaeological dimension has often intersected with artistic practices, but we will not dwell on the continuous exchanges between the two dimensions here, as this has already been the subject of critical literature. What we aim to investigate in this contribution is a new phase of the relationship with the ancient past that emerges in light of the historical period we are living in. This study makes particular reference to the issues raised by the Faro Convention, related to the involvement of communities that enjoy 'cultural heritage' and participate in its sustenance. In particular, we will seek to highlight the role that the artistic community can play in this context, considering the challenges and opportunities of two closely related fields of study, namely public archaeology and public art.
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