Resumen de El dominio público, un callejón sin salida para la memoria cinematográfica
The author warns of the situation of limbo in which cinematographic works are left when they pass into the so-called "public domain" in terms of intellectual property Drawing on various national and international examples, he examines a situation that affects and will affect cinematographic works, and which must be faced by society as a whole. What is the value of a cinematographic artistic work? Is it intrinsic to the work, or does it depend on whether or not it has an owner? When a cinematographic work enters the "public domain", its commercial exploitation is forced into a hiatus, depriving audiences and viewers of an artistic creation, with all that this implies. In a way, cinema is left in a situation of orphanhood when it enters into such a situation. This text aims to highlight these aspects.
