Cine-Ecologies and the Temporality of a Radical Cinematic Production

• Autores: Miška Mandić
• Localización: Comparative cinema, ISSN-e 2604-9821, Vol. 11, Nº. 20, 2023 (Ejemplar dedicado a: Cinema’s Natures: Comparative Approaches to Ecocinema), págs. 91-112
• Idioma: inglés
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• Resumen

  • Debashree Mukherjee’s writing on cine-ecology (2020) defines a materialist concept of cinema production that recognizes a relational mesh between ideologies, places, practices, infrastructures, climates, and human and non-human actors. This article provides a situated account of my recent cinematic practice to illustrate how such a relational view of film production can be useful in sustaining radical temporalities outside capitalist Western modernity’s valuations of speed and movement (Povinelli 2016, 2021; Doane 2002). To do this, I adapt Mukherjee’s concept of cine-ecology to focus on time, care and pleasure, using my works The Fold (2022) and Residue (2023) as case studies. Reconfiguring cine-ecologies through a temporal lens emphasizes even more relations, widening the net of what actors and processes can be linked in exchange.