Research on the graphic oeuvre of Bolognese Seicento artists has led to the discovery of a number of hitherto incorrectly classified drawings by artists active in the Lombard cities of Bergamo, Mantua, Como and Pavia. What emerges is that these works by Cavagna, Borgani, Ghianda and Sacchi share numerous points of style with those by the most distinguished Milanese painters, though also combined with other sources of influence. Thanks to the identification of these drawings, questions also arise regarding the workshop practice of Malosso and the Procaccini. In conclusion, the publication of two sheets by Daniele Crespi makes it possible to draw attention to his virtuoso preparatory work
© 2001-2024 Fundación Dialnet · Todos los derechos reservados