This study will be about the aesthetic category of the humour like a process that goes the literary communicative act under the ludic pact and whose requeriments are:The absence of afectivity and emotivity according to Henri Bergson, the assent to the dissent from what C. Bousoño says and the assumptiom of the ludic pleasant according to some theorics like Ch.
Baudelaire and R. H. Jauss.
From here we take a conception of humour like a bisociation in two levels:one referencial level, the comic referencial (the parodic, the burlesque, the ironic and so on) and another non-temporal level, the comic temporal (the comic itself).
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