Durante as tres décadas que pasaron entre Dona de corpo delgado e Herba aquí ou acolá Álvaro Cunqueiro, que sempre se considerou ante todo poeta, non deixou de publicar versos de seu. Fíxoo en publicacións peródicas, sobranceiramente no Faro de Vigo, onde ademais de anosar poesía universal de toda terra e tempo e de nos agasallar con poemas asinados por el ou os seus pseudónimos de cabeceira, tamén deu en crear unha tribo de autores espectrais, poetas apócrifos ou alófonos fantásticos. Esoutras voces que puxeron en circulación un modelo poético fóra de toda centralidade na poesía de posguerra pero que agromou con esplendor nas décadas seguintes.
During the three decades between Dona do corpo delgado and Herba aquí ou acolá, Álvaro Cunqueiro, who always considered himself above all as a poet, never stopped publishing poetry. He published it in periodicals, namely in Faro de Vigo, where, apart from translating universal poetry from all lands and eras and gifting to us poems signed by him or by some of his usual pen names, he also took to creating his own tribe of spectral authors, fantastic allophone or apocryphal poets. These other voices put into circulation a poetic model that was marginal with regard to the mainstream poetic trends of the post-war period, but which would flourish over the next few decades
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