María del Pilar Palomo Vázquez
Como contexto de los trabajos de Colombine sobre el cine que se analizan se comenta la aparición de las primeras cintas proyectadas en 1896 en Almería, y la situación del cinematógrafo en Madrid de 1901 a 1932: la unión de cine y teatro; primeras versiones sobre obras literarias españolas; el interés hacia el nuevo arte de las actrices teatrales y de los escritores vanguardistas... Se analizan dos artículos de Carmen de Burgos sobre Francesca Bertini de 1916, y su novela La mejor film, de 1918, que ofrece los pormenores de una filmación en dicha fecha.
To put iTo put into context the works of Colombine on cinema that are analyzed, the appearance of the first films projected in 1896 in Almeria, and the state of cinema in Madrid from 1901 to 1932: the union between cinema and theatre; the first film versions of Spanish plays; the interest towards this new art for theatrical actresses and vanguard writers... Two articles about Francesca Bertini written by Carmen de Burgos are analyzed as well as her novel La Mejor Film, written in 1918, which offers a testament into how films were made at that time.nto context the works of Colombine on cinema that are analyzed, the appearance of the first films projected in 1896 in Almeria, and the state of cinema in Madrid from 1901 to 1932: the union between cinema and theatre; the first film versions of Spanish plays; the interest towards this new art for theatrical actresses and vanguard writers... Two articles about Francesca Bertini written by Carmen de Burgos are analyzed as well as her novel La Mejor Film, written in 1918, which offers a testament into how films were made at that time.
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