Resumen de Il 'Parnaso', il 'Cupido dormiente' e alcuni disegni profani di Taddeo Zuccari
At the height of his fame between the mid-1550s and the early 1560s, Tadeo Zuccari matured his style, seeking a reflection of Raphael's grand Classicizing rhetoric. This is the context for the presentation of some unpublished drawings and of two frescoes, both now housed in Palazzo Barberini, Rome: the Parnassus detached from the demolished Casino del Bufalo, and the Cupid here ascribed for the first time to Taddeo Zuccari
