Resumen de Armonías de una filosofía quebrada
This paper analyzes the relationship between music and philosophy in Nietzsches thought, with an 1871 posthumous fragment as a starting point. With his critique of Schopenhauerian will, the philosopher not only would be alteríng the relationship between music, feeling and thought in Schopenhauer, but he would at the sarne time be mining the Platonic statement that philosophy was the finest music. By establishing the link between borh types of representation, that of feelings and that of words, and keeping them at a dístance of the inscrutable of music, the philosopher would be warning that not even by finding the adequate tone will speech ever be identified with music, The relationship between music and words would consist in what Nietzsche calls tragic, an “Apollinian elucidation (Verdeutlichung) of the Dionysian”.
