Ciudad sostenible: arquitectura, arte y máquina

• María Josefa Agudo-Martínez ^[1]
  1. [1] Universidad de Sevilla

     Universidad de Sevilla

     Sevilla, España

     
• Localización: Cultura y Sostenibilidad: 7th European Conference on Energy Efficiency and Sustainability in Architecture and Planning: Donostia-San Sebastián, 4-6 Julio 2016 / Rufino Javier Hernández Minguillón (ed. lit.), 2016, ISBN 978-84-9082-430-6, págs. 27-36
• Idioma: español
• Títulos paralelos:
  • Sustainable City: architecture, art and machine
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• Resumen

  • The use of digital technology in architecture and art is associated often with the collaboration of interdisciplinary teams in participatory and experimental spaces, especially in the Media Lab model or its variants, such as the City Lab, Living Lab, the New Media Art and even the World Wide Lab. This is a model that combines the premises of the technological and innovation hand advanced users and whose clear precedents are, on the one hand, Russian Constructivism, and decades later the MIT hand Nicholas Negroponte. In the first case, in the Constructivism, there may be mentioned emblematic examples such as the Experimental Laboratory Building Kinetics of Proletkult in Moscow, Workshops Higher Education Arts and Techniques (VKHUTEMAS) founded in 1920, or the Group of Constructivists in Action the Institute of Artistic Culture (1921). The second case, the model Media Lab, Media Laboratory English acronym, translated as “Media Lab”, originated in 1985 within the “Group of Architecture and Machines”. The group has its immediate precedent in the draft Computer Aided Design (1959-1967), funded to maximize military power and whose director was Douglas T. Ross; it was addressing the man-machine complementary binding and design computationally, with a direct applicability of the technology. This model will be adopted by the architects of the Institute to raise new urban proposals based on component technology and social utopias. Also within the Media Lab, emerged in the late nineties, the term Living Lab hand WJ Mitchell and referred to urban planning using digital tools and with the involvement of the people themselves, albeit with different “degrees of citizen participation”. This ever-closer union between man and machine is the direct consequence of the unstoppable digital revolution that is transforming the ways of city planning.