Mesina, Italia
With Heidegger, but also beyond Heidegger, Derrida’s deconstruction shakes classical ontology, which considers being as presence and present. But Derrida’s “metaphysics” does not mean as much, as for Heidegger does, oblivion of being, but rather the process of appropriation that presides over the entire conceptual framework of Western thought. If deconstruction of the “metaphysics of the proper” is the first “motive” of his thought, it is surely in the constant confrontation with Heidegger, that Derrida refines his deconstructive instruments that lead through Nietzsche and Freud especially, to discover “the abyssal structure of the proper”, in which a movement of “ex-appropriation” reveals itself already at work in the movement of appropriation and condemns this to failure. A similar structure to what Heidegger had indicated by the couple Ereignis-Enteignis and by thinking an event beyond being.
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