Tourner la métaphysique

• Pierre Philippe Jandin ^[1]
  1. [1] University of Macerata

     University of Macerata

     Macerata, Italia

     
• Localización: Giornale di Metafisica: revista bimestrale di filosofia, ISSN 0017-0372, Vol. 36, Nº. 2, 2014 (Ejemplar dedicado a: Metafisica in Jacques Derrida / coord. por Leonardo Samonà), págs. 348-358
• Idioma: francés
• Texto completo no disponible (Saber más ...)
• Resumen

  • It is always a dangerous temptation to reduce the thought of an author to some phrases or some words. Thus we could “simply” consider that the particular link between J. Derrida and metaphysics is the “deconstruction” (as if there were no more than a deconstruction…). However we know how careful and cautious he was when using this “word” and how he distrusted every attempt to definite it. To understand the way of thinking of J. Derrida, we prefer to follow another path, suggested by J. Derrida himself when he underlines an analogy between deconstructive writing and cinema, specially the moments of “mounting” and “final cut”. If cinema consists in contesting the hegemony of logos when “turning the words”, we would try to expose how, with such an analogy, J. Derrida aims to “turn metaphysics”.